For years, the golden rule for older Sony cameras was to overexpose S-Log2 by +2 EVs to hide shadow noise. With modern 10-bit sensors (like the FX3, A7S III, and FX6), you do not need to overexpose drastically. Aim to expose your skin tones between .
) or external monitors, allowing you to preview the final look while filming. Workflow & Best Practices sony phantom luts
If you want your next project to look like it was shot on a $60,000 Alexa rather than a $3,500 mirrorless camera, stop scrolling and start shooting with a Phantom LUT. For years, the golden rule for older Sony
Because these LUTs are designed to be burned into your monitor (not just applied in post), you can shoot with the LUT displayed on your camera’s screen. What you see is very close to what you get in DaVinci Resolve or Premiere Pro. No more guessing if the exposure is right. ) or external monitors, allowing you to preview
Relying on a LUT can make all your footage look the same. To truly get the Phantom look on a Sony, try manual grading using these principles:
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