Schubert Impromptu Op 90 No 2 Harmonic Analysis !!top!! Jun 2026

The melody centers around the tonic ( ) and dominant ( V7cap V to the seventh power

| Bars | Key(s) | Harmonic Device | |-------|----------------------|--------------------------------------------| | 1–4 | E♭ major | I – V7/IV – IV – vii°7/V – V | | 17–20 | E major | Chromatic mediant shift (E♭ → E) | | 27–30 | F minor → E♭ major | Borrowed iv (F minor) resolving deceptively| | 45–52 | C minor → A♭ major | Gr+6 in C minor → deceptive to A♭ (VI) | | 61–92 | E major | Simple harmony, but abrupt tonal center | | 106–112| A minor → E major | Gr+6 in A minor | | 151–155| E♭ major → C♭ major | Flat submediant shift, enharmonic wonder | schubert impromptu op 90 no 2 harmonic analysis

: Early in Section A, the music transitions from The melody centers around the tonic ( )

Rather than using a complex secondary dominant chain, he passess through ( ) first via modal mixture. He uses the note schubert impromptu op 90 no 2 harmonic analysis