The film's theatrical release in Italy followed on April 5, 1972, to a confusing reception and has since earned a reputation for being almost impenetrable. One 2010 review for IMDb describes watching it as a "chore," baffled by its "free-wheeling, politically-orientated, socially-conscious and sexually-aware diatribes". The reviewer also notes the terrible condition of the available prints, with "overly soft visuals and a terminally hiss-laden soundtrack" that make it difficult to watch.
La Vacanza is not a film you watch for entertainment. It is a film you endure, then contemplate. It asks uncomfortable questions: What happens when you get everything you want? What happens when freedom of movement reveals the immobility of the soul? And why would one of the greatest guitarists of all time choose to spend nine weeks on an Italian soundstage, saying almost nothing, while the world demanded Stairway to Heaven ? The Vacation -La Vacanza- - Tinto Brass 1971 -S...
The story follows (Vanessa Redgrave), a peasant woman and mistress of a local count. When the count tires of her, he has her committed to a mental asylum. The "vacation" of the title refers to her one-month experimental release from the institution to test if she can function in "normal" society. The film's theatrical release in Italy followed on
: On her journey, she meets a variety of unconventional characters, most notably Osiride (Franco Nero), a sympathetic poacher with whom she shares a series of free-flowing, bizarre adventures. La Vacanza is not a film you watch for entertainment
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. Vacation (1971) - IMDb
The story follows (Vanessa Redgrave), a woman previously committed to a mental asylum after a scandalous affair with a Count. She is granted a one-month "vacation" to test her ability to reintegrate into normal society. However, the world she returns to—filled with a rejectionist family, bizarre bureaucrats, and social outcasts—is often depicted as more "insane" than the institution she left. During her journey, she meets Osiride (Franco Nero), an understanding poacher, and together they embark on a series of free-flowing, often surreal adventures that challenge societal norms. Key Highlights and Themes