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The film functions as a dark allegory for artistic creation itself. Ledgard is a perverse artist, his patient a living canvas. Almodóvar, himself a creator, seems to be questioning the morality of his own profession. Where does the artist’s right to shape reality end, and the subject’s right to exist begin? The film suggests that the act of creation, when severed from empathy, becomes a form of violent possession.

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This response uses data provided by Google's Knowledge Graph La piel que habito - Wikipedia, la enciclopedia libre The film functions as a dark allegory for