Pinoy Pene Movies Ot Narcisa Myrna Castillo đŸ†’

Written by Rick Founds
Links to contributors: Rick Founds

This has been one of my favorite songs for years. I contacted Rick back in 2002 about collaborating, partly because I had sung this song so many times. The recording is from Rick's Praise Classics 2 CD. - Elton, September 12, 2009

Languages for this song:
Korean



Lyrics

Lord, I lift Your name on high.
Lord, I love to sing Your praises.
I'm so glad You're in my life;
I'm so glad You came to save us.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.

Lord, I lift Your name on high.
Lord, I love to sing Your praises.
I'm so glad You're in my life;
I'm so glad You came to save us.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.

You came from Heaven to earth
To show the way.
From the Earth to the cross,
My debt to pay.
From the cross to the grave,
From the grave to the sky;
Lord, I lift Your name on high.



Copyright © 1989 Maranatha Praise, Inc (used by permission)

Her most celebrated film of this era, and the one she has called her most memorable, is (1984). Directed by the maverick filmmaker Celso Ad. Castillo—a man ranked alongside legends like Lino Brocka and Ishmael Bernal for bringing the "Second Golden Age" of Philippine cinema—the film starred fellow pene icon Pepsi Paloma and Janet Bordon. The film's success was so significant that it allowed Castillo to visit Malacañang Palace and meet then-First Lady Imelda Marcos. She would later work with the director again on Brown Emmanuelle (1982), further cementing her status in the genre.

The term "pene movies" originates from the localized shorthand for explicit onscreen adult themes that populated Metro Manila theaters during a period of loose censorship monitoring. These productions were typically characterized by:

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